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V o i c e    A a h    
Connections: Settings:
A-111 (Saw) <=> A-180
A-180 <=> A-127 (Audio In)
A-127 (Mix) <=> A-138exp (Input 1)
A-180 <=> A-121 (Audio In)
A-121 (Band) <=> A-138exp (Input 2)
A-138exp (Output) <=> A-128 (Audio In)
A-128 (Audio Out) <=> A-131 (Audio In)
A-145 (Triangle) <=> A-138lin (Input 1)
A-140/1 (Output) <=> A-138lin (Input 2)
A-138lin (Output) <=> A-111 (CV 2)
A-140/2 (Output) <=> A-131 (CV 1)
A-131 (Audio Out) <=> Amplifier		 A-111 (CV 2 = 1.8)
A-127 (Audio In = 10, Original = 6; Row 1: LFO Freq = 0, CV Ampl = 0, VCF Frq = 5.5, Res = 9, Audio Level = 10; Row 2: LFO Freq = 0, CV Ampl = 0, VCF Frq = 5.7, Res = 9, Audio Level = 10; Row 3: LFO Freq = 0, CV Ampl = 0, VCF Frq = 7, Res = 9, Audio Level = 10)
A-121 (Audio Level = 10, Freq = 7.2, Res = 8.5)
A-138exp (In 1 = 8, In 2 = 8. Out = 10)
A-128 (50 = 0, 75 = 0, 110 = 0, 150 = 0, 220 = 10, 350 = 0, 500 = 0, 750 = 10, 1100 = 0, 1600 = 0, 2200 = 0, 3600 = 10, 5200 = 0, 7500 = 0, 11000 = 0)
A-140/1 (A = 1, D = 0, S = 10, R = 2.5, Range = M)
A-145 (Frq = 7, Range = M)
A-138lin (In 1 = 2, In 2 = 3, Out = 10)
A-140/2 (A = 2, D = 6.3, S = 8, R = 3, Range = M)
A-131 (Gain = 0, Audio In 1 = 10, Audio Out = 10)

 


Sound   samples


Voice Aah Piece (chorus and reverb)    
Voice Aah (65 Hz)    
Voice Aah (130 Hz)    
Voice Aah (261 Hz)    




T a l k    
Connections: Settings:
A-111 (Saw)  <=>  A-121 (Audio In)
A-121 (Low)  <=>  A-131 (Audio In)
A-145 (Sine)  <=>  A-132 (Sig. In)
A-132 (Sig Out)  <=>  A-111 (CV2)
A-140/1 (Output)  <=>  A-132 (CV 1)
KB (Gate)  <=>  A-180
A-180  <=>  A-155 (Step/Clock)
A-155 (Pre Out/above)  <=>  A-121 (FCV 1)
A-180  <=>  A-170/below (In)
A-170/below (Out)  <=>  A-121 (FCV 2)
A-180  <=>  A-140/1 (Gate)
A-180  <=>  A-140/2 (Gate)
A-140/2 (Output)  <=>  A-131 (CV 1)
KB (CV)  <=>  A-111 (CV1)		 A-111 (CV 2 = 1)
A-121 (Audio Level = 10, Freq = 3, FCV 2 = 6, Res = 8)
A-131 (Gain = 0, Audio In 1 = 10,  Audio Out = 10)
A-140/1 (A = 8, D = 0, S = 10, R = 1.5, Range = M)
A-140/2 (A = 1, D = 5, S = 5, R = 2, Range = M)
A-145 (Frq = 7.5, Range = M)
A-155 (Row above: 1 = 4, 2 = 0, 3 = 4, 4 = 0, 5 = 1.5, 6 = 4, 7 = 5.5, 8 = 2, Range = 4V)
A-170 (Up = 6, Down = 4, Range = M)

 


Sound   sample


Haendel: Sonatina (HWV 582)    




V o i c e Keld Sørensen
Connections: Settings:
A-110/1 (Pulse)  <=>  A-138exp (Input 1)
A-110/2 (Pulse)  <=>  A-138exp (Input 2)
A-138exp (Output)  <=>  A-120 (Audio In)
A-120 (Audio Out)  <=>  A-121 (Audio In) 
A-121 (High)  <=>  A-130 (Audio In)
KB (CV)  <=>  A-170top (In)
A-170top (Out)  <=>  A-180/1
A-180/1  <=>  A-110/1 (CV 1)
A-180/1  <=>  A-110/2 (CV 1)
KB (Gate)  <=>  A-180/2
A-180/2  <=>  A-140 (Gate)
A-180/2  <=>  A-170bottom (In)
A-170bottom (Out)  <=>  A-180/3
A-180/3  <=>  A-110/1 (PW CV 2)
A-180/3  <=>  A-110/2 (PW CV 2)
A-180/3  <=>  A-110/2 (CV 2)
A-140 (Output)  <=>  A-130 (CV 1)		 A-110/1 (Range = +1, PW = 3, PW CV 2 = 7)
A-110/2 (Range = +1, CV 2 = 0.2, PW = 2.5, PW CV 2 = 3.1)
A-138exp (In 1 = 10, In 2 = 10, Out = 10)
A-120 (Freq = 7, Lev = 10, Res = 7)
A-121 (Audio Level = 10, Freq = 6.1, Res = 6)
A-170top (Time = 1.5)
A-170bottom (up = 1.5, down = 0, Range = H)
A-140 (A = 1.2, D = 3, S = 3, R = 0, Range = M)
A-130 (Gain = 0, Audio In 1 = 10,  Audio Out = 7.6)
VCO tuned to same frequency.
170 Slew limiter (bottom) will offset VCO/2 more and more and let the oscillators beat against each other in a kind of vibrato.		  

 


Sound   samples


Voice (261 Hz)    
Voice (523 Hz)    
Voice (523 Hz, dig. chorus & reverb)    




D i v a  
Connections: Settings:
A-111 (Saw)  <=>  A-121 (Audio In)
A-121 (Low)  <=>  A-131 (Audio In)
A-145 (Sine)  <=>  A-111 (CV2)
A-140 (Output/1)  <=>  A-121 (FCV2)
A-140 (Output/2)  <=>  A-131 (CV1)
KB (Gate)  <=>  A-140 (Gate)
KB (CV)  <=>  A-111 (CV 1)		 A-111 (Oct = +2, Tune = 5, Fine = 6, CV 2 = 1)
A-121 (Audio Level = 10, Freq = 2, FCV 2 = 6, Res = 6)
A-131 (Gain = 0, Audio In 1 = 10,  Audio Out = 10)
A-140 (A = 4.5 = 4 S = 5 R = 7.5, Range = M)
A-145 (Frq = 7, Range = M)

 


Sound   sample


Diva (with dig. reverb)    




Y a h - Y a h  
Connections: Settings:
A-111 (Saw)  <=>  A-122 (Audio In)
A-122 (Audio Out)  <=>  A-131 (Audio In)
A-145 (Sine)  <=>  A-111 (CV2)
A-147 (Sine)  <=>  A-122 (FCV2)
A-140/1 (Output)  <=>  A-147 (CV)
A-140/2 (Output)  <=>  A-131 (CV1)
KB-Gate  <=>  A-140/1, A-140/2 (Gate)		 A-111 (Oct = +1, Tune = 8, Fine = 4.5, CV 2 = 1)
A-122 (Level = 10, Freq = 5.2, FCV  = 1.5, Res = 5)
A-140/1 (A = 8, D = 1.5, S = 10, R = 7, Range = M)
A-140/2 (A = 1, D = 5, S = 3, R = 1, Range = H)
A-145 (Frq = 10, Range = L)
A-147 (Freq = 4, CV = 2.5)
A-131 (Gain = 0, Audio In 1 = 10,  Audio Out = 10)

 


Sound   sample


Yah-Yah    




O p e r a  
Connections: Settings:
A-111/1 (Sine)  <=>  A-138exp (Input 1)
A-111/2 (Sine)  <=>  A-138exp (Input 2)
A-138exp (Output)  <=>  A-131 (Audio In)
A-140/1 (Output)  <=>  A-138lin (Input 1)
A-145 (Sine)  <=>  A-138lin (Input 2)
A-138lin (Output)  <=>  A-180
A-180  <=>  A-111/1 (CV 2)
A-180  <=>  A-111/2 (CV 2)
A-140/2 (Output)  <=>  A-131 (CV 1)
KB (Gate)  <=>  A-140/1+2 (Gate)
KB (CV)  <=>  A-111/1+2 (CV 1)
A-131 (Audio Out)  <=> Amplifier		 A-111/1 (Oct = +2, Tune = 5, Fine = 5, CV 2 = 1.5)
A-111/2 (Oct = +1, Tune = 5, Fine = 5, CV 2 = 2.5)
A-138exp (In 1 = 5, In 2 = 10, Out = 10)
A-138lin (In 1 = 10, In 2 = 3, Out = 10)
A-140/1 (A = 0, D = 3.2, S = 0, R = 6, Range = M)
A-140/2 (A = 3, D = 6, S = 10, R = 4, Range = M)
A-145 (Frq = 7, Range = M)
Notes:   
(See german magazin KEYBOARDS, 
       Feb 2002, page 79, Soundforum)		  

 


Sound   samples


Opera (784 Hz)    
Opera (1046 Hz)    




L o w   V o c  
Connections: Settings:
A-111 (Pulse)  <=>  A-128 (Audio In)
A-128 (Audio Out)  <=>  A-121 (Audio In)
A-121 (Low)  <=>  A-131 (Audio In)
A-145 (Sine)  <=>  A-111 (Lin FM)
A-140/1 (Inv. Output)  <=>  A-111 (CV 2)
A-140/2 (Output)  <=>  A-131 (CV 1)
KB (Gate)  <=>  A-140/1+2 (Gate)
KB (Gate)  <=>  A-145 (Reset In)
KB (CV)  <=>  A-111 (CV 1)
A-131 (Audio Out)  <=> Amplifier		 A-111 (Oct = -1, Tune = 5, Fine = 5, CV 2 = 4, Lin FM = 2, PW = 5)
A-121 (Audio Level = 10, Freq = 6, Res = 7)
A-131 (Gain = 0, Audio In 1 = 10,  Audio Out = 10)
A-140/1 (A = 0, D = 2, S = 0, R = 0, Range = M)
A-140/2 (A = 3, D = 6, S = 10, R = 5, Range = M)
A-145 (Frq = 6, Range = M)

 


Sound   sample


Low Voc    




C o m i c - V o i c e  
Connections: Settings:
A-111 (Saw)  <=>  A-121 (Audio In)
A-121 (Low)  <=>  A-131 (Audio In)
A-140 (Output)  <=>  A-131 (CV 1)
KB (CV)  <=>  A-121 (FCV 1)
KB (Gate)  <=>  A-170/Lower (In)
A-170 (Out)  <=>  A-121 (FCV 2)
A-131 (Audio Out)  <=> Amplifier		 A-111 (Oct = 0, Tune = 5, Fine = 4)
A-121 (Audio Level = 10, Freq = 2, FCV 2 = 6, Res = 8)
A-131 (Gain = 0, Audio In 1 = 10,  Audio Out = 10)
A-140 (A = 1, D = 5, S = 5, R = 5, Range = M)
A-170 (Time/up = 6, Time/down = 6, Range = M)

 


Sound   samples


Mussorgski: Limoges (with X-Delay)    
Comic-Voice (65 Hz)    
Comic-Voice (130 Hz)    
Comic-Voice (261 Hz)    
Comic-Voice (523 Hz)