Shepard-Tone Home Experimental

 

 
 D o e p f e r    A - 100
  Connections*:   Settings:
   Shepard-high-Tri-Rev:
 A-191 (S0) <=> A-111/1 (CV1)
 A-191 (S45) <=> A-111/2 (CV1)
 A-191 (S90) <=> A-111/3 (CV1)
 A-191 (S135) <=> A-111/4 (CV1)
 A-191 (S180) <=> A-111/5 (CV1)
 A-191 (S225) <=> A-111/6 (CV1)
 A-191 (S270) <=> A-110/1 (CV1)
 A-191 (S315) <=> A-110/2 (CV1)
 A-191 (T0) <=> A-135 (CV1)
 A-191 (T45) <=> A-135 (CV2)
 A-191 (T90) <=> A-135 (CV3)
 A-191 (T135) <=> A-135 (CV4)
 A-191 (T180) <=> A-132-3/top (CV In)
 A-191 (T225) <=> A-132-3/bottom (CV In)
 A-191 (T270) <=> A-132/top (CV 1)
 A-191 (T315) <=> A-132/bottom (CV 1)
 A-111/1 (Tri) <=> A-135 (Audio In 1)
 A-111/2 (Tri) <=> A-135 (Audio In 2)
 A-111/3 (Tri) <=> A-135 (Audio In 3)
 A-111/4 (Tri) <=> A-135 (Audio In 4)
 A-111/5 (Tri) <=> A-132-3/top (In)
 A-111/6 (Tri) <=> A-132-3/bottom (In)
 A-110/1 (Tri) <=> A-132/top (Sig. In)
 A-110/2 (Tri) <=> A-132/bottom (Sig. In)
 A-132-3/top (Out) <=> A-138/2exp (Input 1)
 A-132-3/bottom (Out) <=> A-138/2exp (Input 2)
 A-132/top (Sig Out) <=> A-138/2exp (Input 3)
 A-132/bottom (Sig Out) <=> A-138/2exp (Input 4)
 A-138/2exp (Output) <=> A-138/1exp (Input 2)
 A-135 (Audio Out) <=> A-138/1exp (Input 1)
 A-138/1exp (Output) <=> A-182 (A)
 A-182 (B) <=> A-131 (Audio In 1)
 A-182 (C) <=> A-199 (Audio In)
 A-199 (Mix Out) <=> A-182 (D)
 A-131 (Audio Out) <=> Amp		  A-191 (Mode: rising sawtooth)
 A-111/1-6 (Octave = 0, Tune = 5, Fine = 7, PW = 5)
 A-110/1-2 (Range = 1, Tune = 9, PW = 5)
 A-135 (Audio In 1-4 = 10, Gain 1-4 = 0, ext. CV 1-4 = 10)
 A-135 (Audio In 1-4 = 10, Gain 1-4 = 0, ext. CV 1-4 = 10)
 A-132-3/top+bottom (CV = 10, Gain = 0, lin.)
 A-138/1exp (In 1 = 10, In 2 = 10, In 3 = , In 4 = , Out = 7)
 A-138/2exp (In 1 = 7.5, In 2 = 7.5, In 3 = 6.5, In 4 = 6.5, Out = 10)
 A-199 (Level = 8, Feedback = 0, Emphasis = 0, Mix = 6/4)
 A-182 (A = 1, B = 2, C = 1, D = 2)
 A-131 (Gain = 10, Audio In 1 = 6, Audio Out = 8)
   Shepard-mid-Pulse-Rev:
 A-111/1-6 (Pulse)
 A-110/1-2 (Pulse)		  A-111/1-6 (Octave = -1, Tune = 5, Fine = 7, PW = 5)
 A-110/1-2 (Range = 0, Tune = 9, PW = 5)
   Shepard-mid-Saw-Rev:
 A-111/1-6 (Saw)
 A-110/1-2 (Saw)		  A-111/1-6 (Octave = -1, Tune = 5, Fine = 7, PW = 5)
 A-110/1-2 (Range = 0, Tune = 9, PW = 5)
   Shepard-falling-mid-Pulse-Rev:
 A-111/1-6 (Pulse)
 A-110/1-2 (Pulse)		  A-111/1-6 (Octave = -1, Tune = 5, Fine = 7, PW = 5)
 A-110/1-2 (Range = 0, Tune = 9, PW = 5)
 A-191 (Mode: falling sawtooth)
   Without Reverb:
   A-182 (A = 1, B = 1, C = off, D = off)
   
  Connections Shepard Generator => Pulse Width:  Settings:
   Shepard-PW-low:
 A-111/1-6 (Pulse)
 A-110/1-2 (Pulse)
 A-191 (S0 - S225) <=> A-111/1-6 (PCV)
 A-191 (S270 - S315) <=> A-110/1-2 (PW CV2)		  A-111/1-6 (Octave = -1, Tune = 5, Fine = 7, PW = 5, PCV = 5)
 A-110/1-2 (Range = 0, Tune = 9, PW = 5, PW CV2 = 5)
   Shepard-PW-mid:
   A-111/1-6 (Octave = 0, Tune = 5, Fine = 7, PW = 5, PCV = 5)
 A-110/1-2 (Range = 1, Tune = 9, PW = 5, PW CV2 = 5)
   Shepard-PW-high:
   A-111/1-6 (Octave = 1, Tune = 5, Fine = 7, PW = 5, PCV = 5)
 A-110/1-2 (Range = 2, Tune = 9, PW = 5, PW CV2 = 5)
   Shepard-PW-mix:
   A-111/1-6 (Tune = 5, Fine = 7, PW = 5, PCV = 5)
 A-111 (Octave: 1 = -1, 2 = +1, 3 = -1, 4 = +1, 5 = -1, 6 = +1)
 A-110/1-2 (Range = 0, Tune = 9, PW = 5, PW CV2 = 5)
 A-110 (Range: 1 = 0, 2 = +2)
  * realized as Shepard-Risset Glissando Josef Mueller 

 
 



       
Sound   samples


Shepard-Piece   (Theme from Bach BWV 244 Nr. 8)    
  2. sound: Bell               
  3. sound: Marsians               
  4. sound: Grandfather's Clock               
Shepard-high-Tri-Rev    
Shepard-mid-Pulse-Rev    
Shepard-mid-Saw-Rev    
Shepard-falling-mid-Pulse-Rev    

Sound samples without A-199 (reverb):    

  
Shepard-high-Tri    
Shepard-mid-Pulse    
Shepard-mid-Saw    
Shepard-falling-mid-Pulse    
Shepard-PW-low    
Shepard-PW-mid    
Shepard-PW-high    
Shepard-PW-mix