Phase-Formator Home Texture

 

 
 D o e p f e r    A - 100
  Connections:   Settings:
  A-147/1 (Square) <=> A-180
  A-180 <=> A-140 (Gate)
  A-180 <=> A-149-1 (Quantized Clk In)
  A-149-1 (n+1) <=> A-111/1 (CV1)
  A-111/1 (Sine) <=> A-111/2 (Lin. FM)
  A-111/1 (Saw) <=> A-114 (Y In)
  A-111/2 (Sine) <=> A-114 (X In)
  A-114 (Out) <=> A-101-3 (Audio In 1-6)
  A-147/2 (Triangle) <=> A-101-3 (CV In 1-6)
  A-101-3 (Mixed Out) <=> A-131 (Audio In)
  A-140 (Output) <=> A-131 (CV 1)
  A-149-1 (Stage Out 1) <=> A-135 (Audio In 1)
  A-149-1 (Stage Out 2) <=> A-135 (Audio In 2)
  A-149-1 (Stage Out 4) <=> A-135 (Audio In 3)
  A-149-1 (Stage Out 6) <=> A-135 (Audio In 4)
  A-135 (Audio Out) <=> A-101-3 (Polarizer 1 In)
  A-145 (Triangle) <=> A-144 (CV In)
  A-144 (Out 1) <=> A-135 (ext. CV 1)
  A-144 (Out 2) <=> A-135 (ext. CV 2)
  A-144 (Out 3) <=> A-135 (ext. CV 3)
  A-144 (Out 4) <=> A-135 (ext. CV 4)
  A-131 (Audio Out) <=> Amplifier		   A-147/1 (Freq = 6.1)
  A-147/2 (Freq = 3.8)
  A-140 (A = 0, D = 8, S = 10, R = 1, Range = M)
  A-149-1 (Man N = 3.5)
  A-111/1 (Oct = -1, Tune = 5, Fine = 5.5)
  A-111/2 (Oct = 0, Tune = 5, Fine = 5.5, Lin. FM = 7.8)
  A-145 (Frq = 1, Range = M)
  A-135 (Audio In 1 - 4 = 10; Gain 1 - 4 = 0, ext. CV 1 - 4 = 10)
  A-144 (CV = 10, Man. Morph = 5)
  A-131 (Gain = 0, Audio In 1 = 8, Audio Out = 7)
  A-101-3 (Lev. = 5, CV = 5, Shift = 6, Mix = 8, Pol. 1 = +5)
  Ingo Zobel, August 2004 
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